ˈfōtō ˈfôrtˌnīt frīdē

‘fōtō ˈfôrtˌnīt frīdē

January 16, 2015

Just a couple of days ago, on January 14th, Tommy Caldwell and Kevin Jorgeson succeeded in their quest to “free” climb the 3,000 foot face of El Capitan in Yosemite. Climbing by hanging on with their fingertips rather than using modern but less challenging equipment.

http://www.washingtonpost.com/sports/climbers-expected-to-reach-top-of-yosemite-peak-wednesday/2015/01/14/5b8f71f2-9c10-11e4-86a3-1b56f64925f6_story.html?wpisrc=al_alert

The Metropolitan Museum of Art meanwhile has an exhibition of the photographs by Carleton Watkins that he took of Yosemite falls, Half Dome and El Capitan from 1861 to 1866. Watkins’ camera was really big, manufactured especially for the trip. It held huge18” x 22” glass plates to record the scene and he needed 12 mules to carry his equipment.

http://www.metmuseum.org/exhibitions/objects?exhibitionId=%7b07ECC706-6A3B-4AB0-A71F-F3F617E39F51%7d&rpp=30&pg=1

What amazes me about Watkins is not that he captured the scenes but that he got there in the first place. How do you decide to go into a wilderness like Yosemite, 150+ years ago, armed with a collection of two feet wide glass slides to expose photographic images on? How do you physically set up in the great outdoors and take these photographs? Watkins processed the plates on site too using the wet collodian process. How on earth did he you get it all back down again in one piece? A physically amazing feat in itself, but he also came back with the photographic goods!

Watkins’ images are finely detailed, exquisitely crisp and clear and a tribute to the magnificence of Yosemite. The photographs on display at the Met are the actual size of the plate they were captured on. In essence a contact print bigger than my usual finished prints! Original prints, they are placed loosely in their frames so as not to damage them. Comparing these images with those taken of and by the two climbers we get a sense of scale, of just how small humans are in comparison with the grandeur of nature.

Is there any American photographer who is not familiar with the work of Ansel Adams at Yosemite and his glorious zone system? Eighty odd years after Watkins, Adams gave us Yosemite a new. http://shop.anseladams.com/category_s/2.htm

To make it a foursome of Yosemite views what better photograph for this Friday than adding my Yosemite views into the mix. How does my journey there compare to those of the climbers, Adams and Watkins? No comparison really. It was winter so part of the trail had been closed by the Parks Department, I didn’t have any mules or outsized equipment. I took a bus and then walked. After alI  these years – a well trodden, if snowy path. I am pretty sure that I was just as awed though when confronted with the same monumental formations.

Would I dare though to take a photograph? It wasn’t possible to do anything equal, let alone better than Adams’ or Watkins’ work. I  couldn’t resist, even though I knew my quick visit would result in fairly pedestrian images. It’s been a while since I took these photographs but it has been so fascinating to pull them out and compare them with the viewpoint in Watkins’ old photographs and still be able to see the same scene. Amazing the continuing fascination these enigmatic lumps of rock hold over people. (Thanks to their initial and ongoing exposure by photography!)

Have you been to these spots inYosemite? Let me post your pictures here too!

Half Dome and River

Carleton Watkins: http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b07ECC706-6A3B-4AB0-A71F-F3F617E39F51%7d&oid=659020&pkgids=265&pg=1&rpp=30&pos=3&ft=*

Ansel Adams: http://shop.anseladams.com/Half_Dome_Merced_River_Winter_p/5010113-u.htm

Me:

TanyaAhmedYosemiteHalfDomeRiver

Half Dome

Ansel Adams: http://shop.anseladams.com/Moon_and_Half_Dome_p/5010117-u.htm#.VLmeIt7PYhI

Me:

TanyaAhmedYosemiteHalfDome

A tree!

Watkins: http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b07ECC706-6A3B-4AB0-A71F-F3F617E39F51%7d&oid=659035&pkgids=265&pg=1&rpp=30&pos=25&ft=*

Me:

TanyaAhmedYosemiteTree

Upper Yosemite Falls.

Watkins: http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b07ECC706-6A3B-4AB0-A71F-F3F617E39F51%7d&oid=659033&pkgids=265&pg=1&rpp=30&pos=23&ft=*

Me:

TanyaAhmedYosemiteWaterfall

Reference List.

Ansel Adams Gallery http://shop.anseladams.com/category_s/2.htm (accessed January 2015)

Met Museum of Art http://www.metmuseum.org/exhibitions/objects?exhibitionId=%7b07ECC706-6A3B-4AB0-A71F-F3F617E39F51%7d&rpp=30&pg=1 (accessed January 2015)

Washington Post http://www.washingtonpost.com/sports/climbers-expected-to-reach-top-of-yosemite-peak-wednesday/2015/01/14/5b8f71f2-9c10-11e4-86a3-1b56f64925f6_story.html?wpisrc=al_alert (accessed January 2015)

ˈfōtō ˈfôrtˌnīt frīdē

January 02, 2015

Amidst all the craziness of the Dyker Heights Holiday Lights
(google it!)
I found this quiet tableau.
Sometimes people,
less is more!

DykerHeights-TanyaAhmed

Wishing you a healthy, peaceful and happy 2015.

ˈfōtō ˈfôrtˌnīt frīdē

December 18, 2014

“Small Wonders’ at the Atlantic Gallery, is on until Saturday 20th but if you can’t make it here’s my small part of it, framed and on the wall. (From the El Barrio series).

TanyaAhmed-Barrio-Blue_SmallWonders

 

In case you are wondering each photograph is 4″ H x 6″ W – individually framed in white wood, with a flat surface. These are attached together, in the back, to make one piece that is 18″ H x 8″ W.

Halal Cart

November 22, 2014

Halal cart outside the Met Museum, in the cold!

TanyaAhmedMetHalalvendor

Struth

October 25, 2014

Thomas Struth at the Met

http://www.metmuseum.org/exhibitions/listings/2014/thomas-struth

I am familiar with Struth’s work and so wasn’t surprised by the large scale ‘museum goer’ type pictures. They looked good and needed to be big to see the people in the images who were so dwarfed by the structures they were in.

I was more interested though in a series of images taken at the crossroads of various New York streets in the late 1970s. In black and white and all set with the same camera position, the pictures are not of anything but of everything!

They look down the middle of the street, indeed Struth must be standing in the middle of the road, not really focusing on anything in particular, each picture shot the same, but of course each wildly different too as the buildings on each side of the street are occupy different space and shapes. Sometimes it looks like a building is at the end of some of the streets. Each photograph is mounted separately on the gallery wall, but hung loosely in a grid. This display is reminiscent of the Struth’s teachers the Bechers and their watertowers.

http://www.guggenheim.org/new-york/collections/collection-online/artwork/500

Like Bernd and Hilla Becher’s works we are confronted with having to make comparisons between the images. Unlike the Bechers though where the subject is centrally placed, with Struth’s photographs we have a one point perspective as our subject, which we can see through, and choose to search around the edges of, to find the city in all its organized randomness.

A really interesting collection both for the photographic concept and the subject matter.

Streets of New York http://www.thomasstruth32.com/smallsize/photographs/streets_of_new_york_city/index.html

If we go back to the ‘museum’ pieces though, I had my own little Struth photographic experience as I walked the sloping ramp to the gallery. As I passed the windows overlooking the sculpture courtyard, I stopped to look out of the window. The light was just right. Late afternoon. People mingling, taking photographs, sitting. They were almost silhouetted. But some of those people weren’t museum visitors they were art works, in black.

The play between the people and the statues intrigued me. I had to look, which was which? Some repetition. I looked to the right, a statue seated, next to it… a man seated.

A statue with his foot raised in the moment of walking, next to him, pointing in the opposite direction, a real man with his foot raised frozen by the camera as he was walking.

Normally I would cut out the people and concentrate on the shapes and interplay of the building structure and materials. Usually I would be shooting from the ground too, like Struth. This perspective being more like the view point of another Becher student, Andreas Gorsky’s  http://www.moma.org/interactives/exhibitions/2001/gursky/

I don’t anticipate following in either of their footsteps but I had fun with this photograph.

TanyaAhmed-TheMet

Brooklyn

I think I need to start another ‘wall’ project – I can’t resist photographing them!

BrooklynTanyaAhmed

Central Park

Went out with a few of the ladies at PWP for some night shooting in Central Park. Thought it’d make a change getting some trees n’ stuff… well I got some leaves and water in the cityscape and there’s some rocks and a bush in front of the gazebo…

TanyaAhmedCentralParkGazebo

TanyaAhmed-CentraLPark

 

 

I wish!

I’m not sure what it is about this photograph that keeps drawing me in. Maybe it is the calming colors, maybe the quality of the light streaming through the window, maybe it’s the cabinet or the spot of colour provided by the flowers.

Maybe it’s just the idea of having this much empty space!

TanyaAhmedHallway